
Acrylic and oil pastel on canvas
28 x 22 inches
An automatic drawing that revealed itself as a self-portrait with hindsight.

An automatic drawing that revealed itself as a self-portrait with hindsight.

Responsive painting inspired by a live performance of Wind Shadows, a composition for trombone and closely tuned oscillators composed by Alvin Lucier; performed at Cider Gallery in Lawrence, KS on April 25, 2017 by Brett Keating.
This piece was the first of seven spontaneously-produced paintings as I listened to Brett perform six separate electro-acoustic music compositions for trombone, euphonium and live electronics.
Here’s a recording of the same piece performed by James Fulkerson (trombone) and Alvin Lucier (oscillator):

I followed the grain and allowed the wood to dictate the composition of this painting as an exercise in wu-wei.
Inspired by a photograph I took of the USS Arizona Memorial at Pearl Harbor, O’ahu, Hawaii in June, 2014. More than 2.3 quarts of oil percolate to the surface from the battleship every day, serving as a reminder to those who visit that the site is still very active. While it’s obviously not good for the aquatic environment, I find the periodic oil blooms on the surface to be a poignant unintentional feature of the memorial; almost as if the spirits of the 1,102 people that lost their life there are acknowledging the millions of people who pay their respects each year.
This piece is an automatic drawing that I randomly colored with oil paint. As the composition of the colored shapes became clearer, I began to see candles and people, which brought to mind an assembly of remembrance.
Seeing into darkness is clarity.
Knowing how to yield is strength.
Use your own light
and return to the source of light.
This is called practicing eternity.
– Tao Te Ching, 52 (Mitchell, 1988)
This piece has evolved into “Temporary Vehicle” (2018)