Acrylic and oil pastel on canvas
16 x 20 inches
Mounted in a vintage frame and gifted to our best friends for their home:
Mounted in a vintage frame and gifted to our best friends for their home:
An automatic drawing that revealed itself as a self-portrait with hindsight.
Second in a series of works titled “Six Bardos,” inspired by the transitional stages in life, death, and rebirth outlined in Tibetan Buddhism.
The fourth of four pieces that were created quickly within a span of a week in the summer of 2013 for a series I titled “Church of the Zero-Point Field.”
Expanding my experimentation with surrealist automatism, which I used to create my Water Works series, I started each piece by making random charcoal lines and unconsciously connecting them until enclosed areas and shapes emerged for me to color in. While they were completely unplanned, I realized when I finished that each piece represented to me an aspect of something I’m fascinated by: Einstein’s concept of the zero-point field, and the metaphysical interpretation that this quantum energy field is what connects everyone and everything in the universe, past, present, and future.
The third of four pieces that were created quickly within a span of a week in the summer of 2013 for a series I titled “Church of the Zero-Point Field.”
Expanding my experimentation with surrealist automatism, which I used to create my Water Works series, I started each piece by making random charcoal lines and unconsciously connecting them until enclosed areas and shapes emerged for me to color in. While they were completely unplanned, I realized when I finished that each piece represented to me an aspect of something I’m fascinated by: Einstein’s concept of the zero-point field, and the metaphysical interpretation that this quantum energy field is what connects everyone and everything in the universe, past, present, and future.