Tag: Lawrence Kansas

Back to Folk Music

It’s been eight years since I last performed as a solo folksinger, but on March 31, 2017, I dusted off some of my old tunes and even played a new one for an intimate show at Conroy’s Pub in Lawrence, KS.

It was a surprisingly gratifying experience for me, and I hope to have another opportunity to do it again soon. More than that, though, it got my creative juices flowing and I’ve begun working on a new album of folk songs that I hope to release digitally in Fall 2017. This time, I’ll be working with lyrics from old-time folk songs in the public domain and setting them to my own arrangements. At some point, I may be interested to write new songs from scratch, but for now I’m really enjoying the process of working with great words already written.

The aforementioned “new” song from the recent Conroy’s performance is my arrangement of the old folk standard “Rye Whiskey.” Lyrically, it’s a combination of a few well-known versions, and musically, the new arrangement gives an already timeless song a bit of a contemporary feel, in my opinion. Here’s what it sounded like at Conroy’s:

Si! (2017)

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Acrylic on canvas
40 x 30 inches

SOLD in April 2017 to a private collector in Kansas

Responsive painting inspired by a live performance of Si!, a composition for tuba and live electronics composed by Karlheinz Essl; performed at Cider Gallery in Lawrence, KS on April 25, 2017 by Brett Keating and University of Kansas Prof. Bryan Kip Haaheim (North American Premiere).

This piece was one of seven spontaneously-produced paintings as I listened to Brett perform six separate electro-acoustic music compositions for trombone, euphonium and live electronics.

Here’s a video of Essl performing Si! in Innsbruck, Austria on November 29, 2015:

Wind Shadows (2017)

IMG_3641

Gesso on canvas
24 x 30 inches

Responsive painting inspired by a live performance of Wind Shadows, a composition for  trombone and closely tuned oscillators composed by Alvin Lucier; performed at Cider Gallery in Lawrence, KS on April 25, 2017 by Brett Keating.

This piece was the first of seven spontaneously-produced paintings as I listened to Brett perform six separate electro-acoustic music compositions for trombone, euphonium and live electronics.

Here’s a recording of the same piece performed by James Fulkerson (trombone) and Alvin Lucier (oscillator):

2017 – Wind Shadows

wind shadows flyer

“Wind Shadows” was a multi-media, contemporary classical performance at Cider Gallery in Lawrence, Kansas, on April 25, 2017.

Composer and performer Brett Keating played an original electro/acoustic euphonium piece along with works by Alvin Lucier, Karleinz Essl, Stijn Govaere, Forrest Pierce, and Gianinto Scelsi. As Keating performed, I spontaneously painted in response to the music and produced a painting for each piece. Using the duration of each piece as the only parameter for each painting, some turned out better than others. The two highlights were the following pieces:

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Si! 
Responsive painting to a performance of Si!,
 a composition for tuba and live electronics composed by Karlheinz Essl.


IMG_3641

Wind Shadows
Responsive painting inspired by a live performance of Wind Shadows,
a composition for  trombone and closely tuned oscillators composed by Alvin Lucier.




 

1,102 (2015)

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House paint and oil on canvas
30 x 40 inches

Inspired by a photograph I took of the USS Arizona Memorial at Pearl Harbor, O’ahu, Hawaii in June, 2014. More than 2.3 quarts of oil percolate to the surface from the battleship every day, serving as a reminder to those who visit that the site is still very active. While it’s obviously not good for the aquatic environment, I find the periodic oil blooms on the surface to be a poignant unintentional feature of the memorial; almost as if the spirits of the 1,102 people that lost their life there are acknowledging the millions of people who pay their respects each year.

Brigid (2015)

Brigid - 2015

House paint on canvas
24 x 30 inches

Finished on the Cross-Quarter Day between the Winter Solstice and the Spring Equinox, a day marked by the ancient Celts with the festival Imbolc, which was considered the beginning of spring and was a celebration of the goddess Brigid.

Sold in February 2015 to a private collector in Kansas:
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